Next head over to Ebony.com, where the latest edition of The Spin’s important conversation on consent is featured. This week’s contributors are Marc Lamont Hill, Sofia Quintero and Shani Jamila. To read the article and tune in to the podcast hosted by Esther Armah, click here.
Shani was awarded a place in the TED Residency program– an in-house incubator for breakthrough ideas. She is part of a cohort of amazing thinkers who are spending four months in the TED office, creatively taking on projects that are making significant changes in their communities, across many different fields. At the end of the session, she’ll have the opportunity to give a TED Talk about her ideas in the theater of the organization’s headquarters! To learn more, click here to visit her TED page.
Black Women Artists for Black Lives Matter
Shani is one in a powerful group of over one hundred black women artists who gathered to form a collective force underground, known as Black Women Artists for Black Lives Matter (BWA for BLM). Simone Leigh, the current artist in residence at the New Museum, convened this group in response to the continued inhumane institutionalized violence against black lives. BWA for BLM held a public event in solidarity with Black Lives Matter at the New Museum on September 1st.
This dynamic evening featured collectively organized healing workshops, performances, digital works, participatory exchanges, displays, and the distribution of materials throughout the New Museum Theater, Lobby, Fifth Floor, and Sky Room. The event was covered by media outlets including Hyperallergic and the New York Times.
BWA for BLM focuses on the interdependence of care and action, invisibility and visibility, self-defense and self-determination, and desire and possibility in order to highlight and disavow pervasive conditions of racism. For updates and information on BWA for BLM, please follow the group on Twitter (#BWAforBLM) and Instagram (@BWAforBLM).
NYA (National Youth Administration) youth assisting in South Parkway Branch, Y.W.C.A. (Young Women’s Christian Association) in Chicago, n.d. Courtesy Schomburg Center for Research in Black Culture, Photographs and Prints Division, the New York Public Library).
Emory Douglas Exhibit
The Emory Douglas exhibit Shani curated, “We Have Nothing to Lose But Our Chains,” will be up until October 15th! If you are able to get to the beautiful Battery Park neighborhood in lower Manhattan, please stop by to visit the show, which commemorates the 50th anniversary of the Black Panther Party.
Art@UJC proudly presents “We Have Nothing to Lose But Our Chains,” a new exhibit commemorating the fiftieth anniversary of the Black Panther Party. This show of Emory Douglas’ work, featuring art from the collection of Alden and Mary Kimbrough, will mark the culmination of our inaugural year of exhibitions.
Douglas is a renowned artist and former Minister of Culture of the Black Panther Party, whose design concepts reflect the concerns of the community. His art has been displayed at the 2008 Biennale of Sydney, The Museum of Contemporary Art in Los Angeles, and the Yerba Buena Center for the Arts. A retrospective of Douglas’s work was published in Art in America and is the subject of the book Black Panther: The Revolutionary Art of Emory Douglas.
“We Have Nothing to Lose But Our Chains” is curated by Shani Jamila, artist and UJC Managing Director.
The opening reception, held on Thursday, May 19th at 6pm, featured guest speakers Dr. Robyn Spencer, Soffiyah Elijah and Emory Douglas. The exhibition will be up until September 15, 2016.
Democracy + Distrust
On May 3rd, Shani moderated Democracy and Distrust– an event at Federal Hall organized by the New York Council for the Humanities. The fantastic panel featured:
Christopher Lebron, Assistant Professor of Philosophy and African American Studies at Yale University
Michael Lynch, Professor of Philosophy at the University of Connecticut and Director of the Humanities Institute
Deva Woodly, Assistant Professor of Politics at The New School
In the words of the Council, “Race and opportunity are contested territory in our current political climate. How did we get here? Can we begin to mend relations in the face of systemic inequalities? How can dialogue catalyze change? This program aims to address how we can restore trust in one another and in our political system, build safer and stronger communities, and move beyond entrenched opinions through intentional acts of conversation.
The Democracy in Dialogue Project was made possible in part by a major grant from the National Endowment for the Humanities.”
Shani co-facilitated a discussion about art, culture and identity at The Gathering– a group of brilliant and talented dancers, choreographers and scholars who come together annually during the Association of Performing Arts Presenters conference. In the words of the organizer Camille A. Brown, this convening “serve[s] as an open forum for intergenerational black female artists to support one another and to advocate for greater cultural equity and acknowledgement in the contemporary dance world.” If you weren’t there in person, check out the link below to see Shani and Paloma McGregor at work via the archived livestream…
2015 was a year packed with global travel, exhibition opportunities, community engagement programs & media mentions. See below for some highlights.
Art + Creative Change
One of the biggest highlights of 2015 happened as the year came to a close–the Smithsonian Channel interviewed Shani about her artistic practice, global travels and community work! See below for a sneak peek behind the scenes of this developing project…
Shani also had photography featured in a number of art exhibits last year, including All Rise at Princeton University’s Bernstein Gallery and The Time Is Now at the SCOPE Art Show, presented by the Rush Philanthropic Arts Foundation. Her piece in the Respond exhibit at the Smack Mellon gallery was mentioned in the New York Times as emblematic of the take-away message of what they described as “a knockout group show” that “produced a soundtrack of shouts, cries, chants and whispers to set against the wall of insulating white noise that enwraps the art world at large.”
Socially engaged art and internationalism are at the core of Shani’s work, and she delivered a speech about that at the Black Portraitures conference in Florence, Italy last summer. Video of the panel, Sister Outsider: Black American Women, Identity and Global Travel, and other featured presentations are posted on blackportraitures.info. Press play to check this work out!
Lastly, Writing On It All–which is an organization that offers artists a platform for building a site-specific creative practice– invited Shani to lead a community installation at Governor’s Island. She was given an entire house to use as her canvas, to imagine and invite others to imagine with her, what kind of future we could create if Black women and girls were safe from state sponsored violence. Shortly thereafter she went upstate to do a residency at Ryder Farms, which supports innovative practitioners who work at the intersection of art and social change. She spoke about the impact of her respective projects at the Creative Solutions symposium in NYC.
Public Speaking + Public Service
In December, Shani celebrated International Human Rights Day by curating Open Season 2015, an evening of art + performance + conversation about women and girls in our culture of confinement. The event was held at the National Black Theatre in Harlem, with additional support provided by The Studio Museum in Harlem, the International Center of Photography, the Hemispheric Institute of Performance and Politics, Angela’s Pulse and Dancing While Black. Click here to see gorgeous photos, check out the social media buzz and watch a full length video of the event.
Open Season is one of a number of events she’s organized in her capacity as a Managing Director of the Urban Justice Center. Another that bears mention is the 10th annual arts based human rights training that was held in New York City last May. This three day institute engaged a select cohort of social justice advocates from around the country. Participants discussed cultural strategy, community building and ways to use human rights mechanisms to address inequality in the U.S. Congrats to the latest class, who now join a nationwide cohort of really impressive alumni!
Finally, she made a small contribution to keeping creative change in the media: writing about attending the Movement for Black Lives conference in Cleveland and the Selma-Montgomery commemoration in Alabama in her Huffington Post blog and continuing to serve as a regular contributor to The Spin— an internationally broadcast program hosted by Esther Armah that now reaches Ghana, Nigeria and cities throughout the U.S.
There are a ton of events and exhibits in the works for 2016! The next one up is The Gathering, a group of dancers, choreographers and scholars organized by Camille A. Brown. Shani will be joining a longtime collaborator and friend Paloma McGregor to facilitate a meaningful discussion about culture and identity with the participants.
Additionally, she will appear on the January 20th edition of The Spin with Esther Armah, Joan Morgan and and Dr. Christina Greer. The broadcast will be archived on SoundCloud.
Wishing each of you all the best for an amazing 2016! This new year needs us to bring our best to the table. Let’s continue to make an impact, inspiring each other along the way.
Shani Jamila is an artist, cultural worker, Fulbright scholar and 2016 TED Resident with over a decade of leadership in curating public programs that use the arts to catalyze progressive social change. Named “One of the 35 Most Remarkable Women in the World” by Essence Magazine, she regularly writes, lectures and hosts community conversations about art, justice, identity and global engagement. Her travels to nearly fifty countries deeply inform her photography and collage practice.