Art@UJC proudly presents “We Have Nothing to Lose But Our Chains,” a new exhibit commemorating the fiftieth anniversary of the Black Panther Party. This show of Emory Douglas’ work, featuring art from the collection of Alden and Mary Kimbrough, will mark the culmination of our inaugural year of exhibitions.
Douglas is a renowned artist and former Minister of Culture of the Black Panther Party, whose design concepts reflect the concerns of the community. His art has been displayed at the 2008 Biennale of Sydney, The Museum of Contemporary Art in Los Angeles, and the Yerba Buena Center for the Arts. A retrospective of Douglas’s work was published in Art in America and is the subject of the book Black Panther: The Revolutionary Art of Emory Douglas.
“We Have Nothing to Lose But Our Chains” is curated by Shani Jamila, artist and UJC Managing Director.
The opening reception, held on Thursday, May 19th at 6pm, featured guest speakers Dr. Robyn Spencer, Soffiyah Elijah and Emory Douglas. The exhibition will be up until September 15, 2016.
Democracy + Distrust
On May 3rd, Shani moderated Democracy and Distrust– an event at Federal Hall organized by the New York Council for the Humanities. The fantastic panel featured:
Christopher Lebron, Assistant Professor of Philosophy and African American Studies at Yale University
Michael Lynch, Professor of Philosophy at the University of Connecticut and Director of the Humanities Institute
Deva Woodly, Assistant Professor of Politics at The New School
In the words of the Council, “Race and opportunity are contested territory in our current political climate. How did we get here? Can we begin to mend relations in the face of systemic inequalities? How can dialogue catalyze change? This program aims to address how we can restore trust in one another and in our political system, build safer and stronger communities, and move beyond entrenched opinions through intentional acts of conversation.
The Democracy in Dialogue Project was made possible in part by a major grant from the National Endowment for the Humanities.”
Shani co-facilitated a discussion about art, culture and identity at The Gathering– a group of brilliant and talented dancers, choreographers and scholars who come together annually during the Association of Performing Arts Presenters conference. In the words of the organizer Camille A. Brown, this convening “serve[s] as an open forum for intergenerational black female artists to support one another and to advocate for greater cultural equity and acknowledgement in the contemporary dance world.” If you weren’t there in person, check out the link below to see Shani and Paloma McGregor at work via the archived livestream…
2015 was a year packed with global travel, exhibition opportunities, community engagement programs & media mentions. See below for some highlights.
Art + Creative Change
One of the biggest highlights of 2015 happened as the year came to a close–the Smithsonian Channel interviewed Shani about her artistic practice, global travels and community work! See below for a sneak peek behind the scenes of this developing project…
Shani also had photography featured in a number of art exhibits last year, including All Rise at Princeton University’s Bernstein Gallery and The Time Is Now at the SCOPE Art Show, presented by the Rush Philanthropic Arts Foundation. Her piece in the Respond exhibit at the Smack Mellon gallery was mentioned in the New York Times as emblematic of the take-away message of what they described as “a knockout group show” that “produced a soundtrack of shouts, cries, chants and whispers to set against the wall of insulating white noise that enwraps the art world at large.”
Socially engaged art and internationalism are at the core of Shani’s work, and she delivered a speech about that at the Black Portraitures conference in Florence, Italy last summer. Video of the panel, Sister Outsider: Black American Women, Identity and Global Travel, and other featured presentations are posted on blackportraitures.info. Press play to check this work out!
Lastly, Writing On It All–which is an organization that offers artists a platform for building a site-specific creative practice– invited Shani to lead a community installation at Governor’s Island. She was given an entire house to use as her canvas, to imagine and invite others to imagine with her, what kind of future we could create if Black women and girls were safe from state sponsored violence. Shortly thereafter she went upstate to do a residency at Ryder Farms, which supports innovative practitioners who work at the intersection of art and social change. She spoke about the impact of her respective projects at the Creative Solutions symposium in NYC.
Public Speaking + Public Service
In December, Shani celebrated International Human Rights Day by curating Open Season 2015, an evening of art + performance + conversation about women and girls in our culture of confinement. The event was held at the National Black Theatre in Harlem, with additional support provided by The Studio Museum in Harlem, the International Center of Photography, the Hemispheric Institute of Performance and Politics, Angela’s Pulse and Dancing While Black. Click here to see gorgeous photos, check out the social media buzz and watch a full length video of the event.
Open Season is one of a number of events she’s organized in her capacity as a Managing Director of the Urban Justice Center. Another that bears mention is the 10th annual arts based human rights training that was held in New York City last May. This three day institute engaged a select cohort of social justice advocates from around the country. Participants discussed cultural strategy, community building and ways to use human rights mechanisms to address inequality in the U.S. Congrats to the latest class, who now join a nationwide cohort of really impressive alumni!
Finally, she made a small contribution to keeping creative change in the media: writing about attending the Movement for Black Lives conference in Cleveland and the Selma-Montgomery commemoration in Alabama in her Huffington Post blog and continuing to serve as a regular contributor to The Spin— an internationally broadcast program hosted by Esther Armah that now reaches Ghana, Nigeria and cities throughout the U.S.
There are a ton of events and exhibits in the works for 2016! The next one up is The Gathering, a group of dancers, choreographers and scholars organized by Camille A. Brown. Shani will be joining a longtime collaborator and friend Paloma McGregor to facilitate a meaningful discussion about culture and identity with the participants.
Additionally, she will appear on the January 20th edition of The Spin with Esther Armah, Joan Morgan and and Dr. Christina Greer. The broadcast will be archived on SoundCloud.
Wishing each of you all the best for an amazing 2016! This new year needs us to bring our best to the table. Let’s continue to make an impact, inspiring each other along the way.
This year Shani celebrated International Human Rights Day by curating Open Season, an evening of art + performance + conversation about women and girls in our culture of confinement. This thought provoking program, held at the National Black Theatre, featured a rendering of Itagua Meji and performances curated by Dancing While Black. It also provided an opportunity for the community to engage with leading thinkers and artists who are confronting mass incarceration such as Nina Angela Mercer, Ebony Noelle Golden, Aimee Meredith Cox, Nakisha Lewis, Donna Hylton, Lumumba Bandele and more.
Gorgeous photos and a full length video of the event are now available to share with you! In addition, all of the social media buzz about Open Season was chronicled on Storify. Check out the links to either see what you missed or relive an extraordinary evening.
Open Season 2015 was presented by the Human Rights Project of the Urban Justice Center and the National Black Theatre: Institute for Action Arts. Additional support was provided by The Studio Museum in Harlem, the International Center of Photography, NYU’s Hemispheric Institute of Performance and Politics, Angela’s Pulse and Dancing While Black.
As we enter into this holiday season bearing the unwelcome news that there will be no indictments in the death of Sandra Bland, please lift up the names, spirits and families of those who’ve been impacted by this crisis during this time. In spite of it all, we will win.
On Friday, October 2nd, Shani spoke at the 50th anniversary commemoration of NYU’s Tisch School of the Arts. She joined a powerhouse group of change makers in a discussion about how to use cultural work to empower our communities.
On Saturday October 3rd, Shani spoke at the Creative Solutions symposium. This summer she had the wonderful opportunity to participate in a residency in upstate New York, where she was given time and support to do her work at the intersection of art and social change. She joined colleagues from a number of progressive social justice organizations to speak about her project. Many thanks to those of you that came out to make both of these engagements a full house!
Shani Jamila is an interdisciplinary artist and cultural worker with over a decade of leadership in curating public programs that use the arts to catalyze progressive social change. A TED Resident and Fulbright fellow, she regularly writes, lectures and hosts community conversations about art, justice, identity and global engagement. Her travels to nearly fifty countries deeply inform her photography and collage practice.